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$1000 value first prize, Best entries screened nationally
On this page: What is Story-Film? The Wakakirri theme is: Our world - Who are we? What surrounds us? Stories have always been a great medium for exploring and learning about the world. The ‘theme’ of our world is in no way meant to limit the stories told by schools. If you look for it, you’ll find all stories examine the worlds around us, both real and imagined. Schools can tell original or original interpretations of existing stories. Schools are also invited to include a signature item in their works. The 2008 signature item is "tap". Schools can represent the signature item as part of their work in any way they choose. It can be used thematically or literally, it be on stage for the entire item or for a second. Awards will be handed out during the festival and competition series. Examples of Story-Film items (click on thumbnail to watch a video) How do I make my work environmentally sound? Students should create stories based on the festival theme ‘Our World’, enabling them to explore and understand their own environment. Schools should also consider applying the concepts of reduce, reuse and recycle to the creation of any props, sets and costumes used within the film. Print any paperwork you require on recycled paper. Dates Rules • Works must posted to Wakakirri on a DVD for judging. We will still accept Mini DV Tape for the 2008 Wakakirri Story-Film Competition. How do I send my Story-Film entry in to be judged? Works must posted to Wakakirri on a DVD for judging. We will still accept Mini DV Tape for the 2008 Wakakirri Story-Film Competition. Please see below for more information about the formats in which you can submit your Story-Film. Sending your Story-Film in on DVD Please adhere to the below requirements when sending in your Story-Film on DVD. Quicktime file (MAC or PC) Audio will be as follows: • Entries must be in PAL format (the Australian standard). Some computers have a NTSC (American standard) setting as default. Please check settings before recording or editing
A miniDV Tape looks like this and is usually used in conjuction with older video recorders.
To save any conversion problems from 4:3(fullscreen) to 16: 9(widescreen), we ask that you shoot your film in 16:9 widescreen to allow footage to be used in the annual Network TEN TV Special in the event you become a Wakakirri Story-Film Finalist. Some older digital cameras do not allow you to shoot at 16:9 so make sure you check the functionality of your camera. As the diagrams above indicate, the picture varies quite significantly when shooting at 16:9, your image will be rectangular rather than the square 4:3 image. Editing time during post-production may also be reduced because you will be able to combine two shots into one, an example of this may be two people conversing. When shooting at 4:3 each person has to be shot one at a time; when shooting at 16:9 however, the entire conversation will be able to be filmed at once without having to film one person then the other. The Rules Relating to Music in Story-Film Although you might be able to use existing songs for films you make for school assessments, you are not allowed the same freedom in Wakakirri because the films will be made available to the public via our website and during our TV special. We recommend you use either original music or license/royalty-free (see below) recordings in your story-film, however, should you wish to use other music, please read carefully the following information on music copyright. NOTE: Films received that use existing songs in their soundtrack without written permission from all copyright owners will be DISQUALIFIED. You will need permission to include other people’s music in your film, even if the music was accidentally recorded in the background while you were filming. A single piece of music may include a number of copyrights: if using an existing recording, you will need permission from the recording company that own that particular recording, as well as permission from the publisher who holds copyright over the lyrics and music. When applying for permission to use copyrighted music, you must make it clear that the music is being used for a short film that may be displayed in live venues, featured on the Wakakirri web page and/or in our National TV Special on Network TEN. Generally copyright lasts for the life of the relevant creator plus fifty years, however, there are exceptions to this rule. When in doubt, you should check out the Australian Copyright Council’s web page (www.copyright.org.au) Some music exists that is licence/royalty-free and therefore free to use, however, it is always best to check this with the producer of the music source and where possible, obtain this in writing. A simple way to avoid the tricky problem of obtaining permission from the copyright holders, is simply to create your own original music. There are lots of simple (and sometimes free) software programs for creating music on your computer (eg Garage Band) or you might want to involve music students from your school in the production by getting them to create music for you. If you have any questions about Story-Film please call the Wakakirri office (free call 1800 650 979) or email wakakirri@wakakirri.com Awards & Judging Judging Criteria Story 30 marks
Cinematography 15 marks Sound track 15 marks Editing 15 marks Acting 15 marks Overall Presentation 10 marks
Sustainability rating 10 marks Total 110 marks Prizes Special Awards Recognition Finalist works are judged nationally by a recognised professional in the field. Our 2008 Story-Film Judge is Craig Pearce (pictured below). Craig is a NIDA graduate and, as an actor, has worked extensively in theatre, film and television.
In 1991 Craig co-wrote with Baz Luhrmann the screenplay for the enormously successful feature film Strictly Ballroom, which won eight AFI awards, including Best Screenplay, was nominated for five BAFTAS (including Best Screenplay), won the Prix de la Jeunesse at the Cannes Film Festival and the NSW Premier’s Literary Award for Best Screenplay. In 1994 Pearce and Luhrmann adapated William Shakespeare’s Romeo and Juliet for the screen. The film, starring Leonard Di Caprio, broke box office records for Shakespeare worldwide. Among its many nominations and awards William Shakespeare’s Romeo and Juliet won the Alfred Bauer Award, the Silver Bear at the Berlin Film Festival and four BAFTAs (including Best Screenplay). Craig began work with Baz Luhrmann on the screenplay of Moulin Rouge in 1997. The film was in competition at and opened the 2001 Cannes Film Festival. The screenplay was nominated for a Golden Satellite and a BAFTA, and the film’s many accolades include winning two National Board Of Review awards (including best film) nine Golden Satellite awards, three Golden Globes including best film musical or comedy a Grammy Award, the Los Angeles Film Festival movie of the year, five Australian AFI awards, two US AFI awards and numerous others throughout the world. It was also nominated for eleven BAFTAs, including Best Screenplay, nominated for the 54th Annual WGA Awards for Best Screenplay Written Directly for the Screen and nominated for eight Academy Awards, including Best Picture. In 2003 Craig wrote a screen adaptation of Jesus Christ Superstar for Universal Studios. In 2004 he wrote Carmen and in 2005 The Death and Life of Charlie St Cloud, also for Universal Studios. In 2007 he wrote Mad Hot Ballroom for Paramount Studios. Craig is currently writing and will executive produce for HBO 'Will', a television series about young William Shakespeare. He is also writing Fast Love, a stage musical set in the world of speed dating. The 2006 National Story-Film National Judge was Greg Williams. Greg has written and directed a whole heap of award winning short films and his telemovie, The Glenmoore Job, was broadcast on SBS this year. 2005 Story-Film judge was multi-award winning writer of books, plays, film and television for young audiences, Richard Tulloch.
REGISTER YOUR SCHOOL FOR STORY-FILM 2009
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